Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Busta Rhymes

Anarchy (Elektra)

Share

  • rss

By Jeff Brown

Published on October 12, 2000

With Busta Rhymes releasing Anarchy just six months after his previous full-length effort, in addition to his contributions to the Flipmode Squad albums, record-store owners might feel as if they've joined a mail-order Busta record-of-the-month club. If such an organization did exist, listeners who purchased Anarchy would immediately rue their failure to send back their slips in time and hastily repackage the CD in a box marked "return to sender." This aptly named mess is a cacophonous, cluttered collection of current hip-hop sounds. From the Jay-Z-style swing of "Street Shit" to the Timbaland-inspired techno thump of "Bladow!!!" Rhymes leaves no style unstolen. The rappers from whom he pilfered probably don't mind, mainly because he invited so many of them to make cameo appearances: The Wu-Tang Clan's Raekwon The Chef and Ghostface Killah add Shaolin spice to "The Heist," and DMX and Jay-Z represent on "Why We Die." There's a few truly tasty cuts on Anarchy, but with more than 20 tracks it becomes redundant and unrewarding. Busta screams anarchy, but his work is starting to cry out for structure and discipline. He might have earned his fame as a cheeky free spirit, but to grow as an artist, Mr. Woo Hah needs to get himself in check.