Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Various Artists

Constant Elevation (Astralwerks)

Share

  • rss

By Danny Alexander

Published on July 04, 2002

Opening with what sounds vaguely like a Timbaland remix of "I Am the Walrus" and ending with something like a Wu-Tang-style reimagining of "Dear Prudence," Constant Elevation promises more than the typical DJ compilation. Yet for all its imaginative approaches, it's the collection's clarity of vision that distinguishes it from most turntablist efforts.

Constant Elevation flashes back to 1989, right before hip-hop ditched frenetic, eclectic mixes to pursue gangsta funk and spooky piano-looped minimalism. Featuring prominent, lyrical figures on guitar and cello, This Kid Named Miles' jazzy "Slight Amnesia" sounds like Stetsasonic set loose with today's technology. Z-Trip takes the mix to another level with bubbly bass, big crashing beats, frantic bongos and explosive sound washes. Peanut Butter Wolf and Madlib's "Rawcore" climaxes with dueling scratches by DJ Egon and DJ Romes, then collapses into a delicate cooldown.

Despite the busy mixes, these tracks all build on a relaxed central groove. The pacing is deliberate without ever losing intensity, and there's a lesson to be learned here for hyper-BPM freaks: It's focus, not flash, that satisfies.