Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Where the Wilder Things Are

The Spencer Museum's Film Festival may be all Wilder, but the selection isn't the wildest.

Share

  • rss

By Steve Walker

Published on August 01, 2002

No montage of movie history is complete without images from director and screenwriter Billy Wilder. From the grotesquerie of Gloria Swanson's final descent of the stairs in the drama Sunset Boulevard to the rat-a-tat-tat dialogue Barbara Stanwyck and Fred MacMurray spit at each other in the mystery Double Indemnity, Wilder's wicked wit and gifted eye graced films of all genres.

Between August 1 and 18, the Spencer Museum of Art in Lawrence hosts a Billy Wilder Film Festival. The title is a bit of tease -- the museum is showing only four films and skipping lesser-known gems such as Ace in the Hole -- but its triple-Oscar opening film, The Apartment, has the signature Wilder style. The Apartment blends several genres: it's a sex comedy, a love story and a film noirpeek inside those niches of the big city where the loneliest souls reside.

At the heart of the film are surprisingly natural performances by Jack Lemmon and Shirley MacLaine. Lemmon plays C.C. Baxter, an invisible clerk in an insurance company who loans his apartment to his philandering superiors under the pretense of career advancement but mostly because he wants to be liked. MacLaine (whom you expect to be kooky) plays the elevator operator Baxter takes a shine to.

What Baxter can't know at first -- and then can't abide when he finds out -- is that she's one of the chippies being wooed in his apartment by a heartless jerk played by Fred MacMurray. The scene in which Lemmon discovers the affair -- it hinges on a compact with a broken mirror -- is devastating.