Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Danilo Peréz

Thursday, September 26, at the Blue Room.

Share

  • rss

By John Kreicbergs

Published on September 26, 2002

If anyone represents the vibrant, multicultural face of today's contemporary jazz scene, it's Panamanian pianist Danilo Peréz. Breaking out in the early '90s thanks to his stint in Dizzy Gillespie's United Nations Orchestra, Peréz went on to release some of the most compelling and innovative Latin jazz recordings of that decade, including 1996's Panamonk and 1998's Central Avenue, with the latter earning his first Grammy nomination. In 2000, Peréz released his passionate opus Motherland, a disc that celebrates the array of cultures that mirrors his own heritage, from Panamanian folk and sultry South American rhythms to native Indian flavors and straight-ahead jazz. As the pianist for saxophonist Wayne Shorter's quartet, he's delved even further into the rich traditions of the jazz giants of yesteryear while studiously supporting one of the genre's living legends. Released earlier this year, Footprints Live! features a rejuvenated Shorter and showcases Peréz's considerable talents. In a scene that overvalues the past and is quick to look past the present, Peréz represents the future.