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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

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    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Joe Satriani

Wednesday, December 4, at the Uptown Theater.

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By Geoff Harkness

Published on November 28, 2002

Taking the singer-free route hasn't made Joe Satriani a household name, but every guitarist on the planet knows him well. Satch first found fame as instructor to ax-wielding superstars such as Steve Vai and Metallica's Kirk Hammett. One of the numerous Eddie Van Halen clones of the '80s, Satriani accomplished the one thing his Floyd-Rose-happy peers didn't: evolution. Satriani's primordial histrionics have been scaled back a bit, allowing a more heartfelt, less wheedly sound surface. On his latest opus, Strange Beautiful Music, Satriani explores every style in the tablature book: moody Egyptian pieces, swampy blues and even a subdued take on the instrumental standard "Sleep Walk." But local air guitarists shouldn't be too concerned: Satch can still dazzle with the daredevil fretboard maneuvers that made him a six-string legend.