Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • SF Weekly

    Turning the Tables

    "Hey, Mr. Deejay: Bend over and spread 'em."

    By Lois Beckett

  • City Pages

    Big Farma

    Meet the Minnesotans who receive federal subsidies for not growing anything.

    By Matt Snyders

  • Village Voice

    Rent-a-Wreck

    We begin our countdown of New York's Ten Worst Landlords.

    By Elizabeth Dwoskin

  • Broward-Palm Beach New Times

    The Grow House Murder

    The sweet smell of ganja was a dead giveaway. So was the dead body in the freezer.

    By Gail Shepherd

Eleni Mandell

Friday, March 7, at Davey's Uptown.

Share

  • rss

By Andrew Miller

Published on March 06, 2003

For several years, Eleni Mandell's cover of Tammy Wynette's "Don't Touch Me" has ended her whirlwind shows on a wary, wistful note. Finally, Mandell commits this tune to record on Country for True Lovers, the pop princess' pitch-black tribute to twang. Given her knack for writing about ruined relationships, dangerously delusional damsels and violent crimes, Mandell seems suited for a Johnny Cash-style spookifying of latently scary standards. Instead, she plays it straight, stripping the menace from her emotive voice and leaving herself vulnerable to a numbing series of steel-guitar-scored heartbreaks. Live, though, when these songs become interspersed with her noir fare, she might have trouble keeping the moods separated. Look for her country laments to become laced with bitter regret and for her temptress tales to get a bit more tender. In both cases, the results should prove fascinating.