Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Blue Man Group

The Complex (Lava/Atlantic)

Share

  • rss

By Dave Segal

Published on May 22, 2003

One has to be skeptical about the merits of a performance-art troupe that plays Las Vegas, frequently appears on The Tonight Show and garners gushing reviews from USA Today and Time. Now, Blue Man Group might be an awesome spectacle in the azure-tinted flesh, but I can judge them only on the music and video encoded on The Complex. Blue Man Group deserves respect for inventing its own instruments, but why go to all that trouble to create such utterly characterless music? And when you're as well connected as this group, why enlist dullards such as Tracy Bonham and Bush's Gavin Rossdale to sing your flavorless songs? Even the contributions of renowned turntablists Dan the Automator and Rob Swift are negligible. Only Nels Cline's piquant guitar makes The Complex worth a spin. The rest of this dud, including a heinous cover of "White Rabbit," will make listeners see red.