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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Riverfront Times
Babe 'n' Arms
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
By Nicholas Phillips
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
Best Violence
A Clockwork Orange, presented by Mind's Eye at Just Off Broadway
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Published on October 09, 2003
We know: No violence is probably deserving of a "best of." Still, think of how, with Taxi Driver, Martin Scorsese dipped his brush into the blood, semen and spit of New York City streets and devised a masterpiece of American alienation. The Mind's Eye production of Anthony Burgess' A Clockwork Orange, a cult classic about how violence begets violence, was appropriately brutal and shocking. Seeing violence with real consequences is extremely rare in any media today, and director Christopher King's deft handling of the play's rapes and beatings was thoughtful and never gratuitous.
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