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    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Forty Twenty

Friday, December 5, at Davey's Uptown / Saturday, December 6, at the Bottleneck

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By John Kreicbergs

Published on December 04, 2003

Given that a lot of alt-country these days shares closer ties to the original spirit and feel of old-school country music, it makes you wonder what the hell the alt is for. Is it because it's an alternative to today's crap-country of Toby Keith or the pop-country-diva posing of Shania Twain? When exactly did alt-country come to be considered the bastard stepchild? Who knows. But "purveyors of fine music" Forty Twenty don't profess to have the answer, either. Instead, this corn-fed quintet has been quietly campaigning to be a top-notch bar band, as comfortable in the local roadhouse or college-town bar as it is in the honky-tonks and saloons of its hometown of Lincoln, Nebraska.