Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Mark Pender Band

Mark Pender Band (MPB-Independent)

Share

  • rss

By John Kreicbergs

Published on December 11, 2003

Right from the opening track of Late Night With Conan O'Brien trumpeter Mark Pender's debut disc, there's little doubt you're in for a funky ride. I'm excessive, it's just the way I feel/Excessive, you know the deal, Pender belts. Though excessive might not be the right word to describe the buoyant brassman and Kansas City native -- effusive is more like it -- Pender wears both badges with honor. After cutting his teeth with the Inner City Orchestra in the late '70s, Pender headed to the East Coast and spent more than a decade as a sideman with Diana Ross, Bruce Springsteen, David Bowie and Robert Cray before landing his place in the Max Weinberg Seven in 1993. On this album, Pender showcases both his instrumental and vocal talents while fronting a sextet of solid funksters. Using more than the standard thumping bass line and liberal wah-wah guitar, Pender pays his respects with cuts such as the Marvin Gaye-inspired "Let's Get It Together"; the Earth, Wind and Fire drive of "You're the Only One"; and the Tower of Power horn lines of "Oh Baby Please." Unafraid to step up to the mic for a ballad or two ("Hypnotize," "We Are Meant to Be Together"), Pender lays out his amorous intentions with honest appeal that would put Tim Meadows' Lady's Man to shame. Pender isn't trying to reinvent the wheel with all this throwback funkadelicism, but it's no less entertaining to give it another spin.