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Poetry Slam

Now we know why a librarian was tight-lipped about her celebrity guest speaker.

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As told to Tony Ortega

Published on April 22, 2004

A couple of weeks ago, the Strip heard from a woman named Gabriele Otto, who works at the Kansas City Public Library's Southeast Branch. She wanted this meat patty to know that on April 29, the poet Amiri Baraka would be coming to our fair city. Partly funded by a grant from the National Endowment of the Humanities, Baraka is scheduled to give a free presentation at the University of Missouri-Kansas City's library as part of an ongoing hundredth-birthday party for Kansas-bred poet Langston Hughes.

Yikes! Almost as soon as that hot potato arrived in our in-box, this porterhouse of provocation fired back a reply to Otto, asking: Who had made the decision to bring Baraka to town?

See, the Strip remembered the headlines Baraka recently made in New Jersey. Here's a recap:

For decades, the man once known as LeRoi Jones had made a reputation as an angry poet with a tendency to lay the smackdown on white people, gay people and Jews. But his harsh attacks hadn't hurt his reputation too much, and plenty of folks considered him one of the most influential black poets. Then, in 2002, the governor of New Jersey, James McGreevey, made Baraka the state's second-ever poet laureate,a position that was supposed to last two years and come with a $10,000 stipend. In October of that year, Baraka gave his first public reading as the state's official wordslinger.

He used the event to recite a piece he'd written about a year earlier, in response to the September 11 attacks. "Somebody Blew up America" was belligerent and disjointed, like a lot of Baraka's poetry, but it was the four-line stanza near the end that set off a firestorm:

Who knew the World Trade Center was gonna get bombed

Who told 4,000 Israeli workers at the Twin Towers

To stay home that day

Why did Sharon stay away?

It was bad enough that he'd tossed in a bullshit Internet rumor about Jews staying away from the World Trade Center, supposedly proving that Israel was really behind the attacks. But Baraka already had a history of tweaking the Chosen Race. The Anti-Defamation League threw a fit, McGreevey said he regretted appointing Baraka, and New Jersey legislators went into seizures when they realized there was no way to fire a poet laureate. Eventually, last July, the lawmakers abolished the government post entirely in order to rid themselves of Baraka. The poet, meanwhile, has been unrepentant, saying that the ADL was out to get him.

Since the controversy, Baraka has remained radioactive -- his appearance last year turned Yale University upside down, with Jewish students complaining loudly and other students defending Baraka just as strongly.

The last thing the Strip would advocate is silencing a controversial writer -- Baraka's right to spew bad poetry is sacrosanct in this T-bone's book. And the Strip thought its question to librarian Otto was a simple one -- who made the decision to spend public money to bring Baraka to Kansas City, a move that would likely anger members of the local gay and Jewish communities?

Otto, however, was surprisingly snooty and vague about that.

After some pressing, she revealed that the University of Kansas Continuing Education Department had been involved and referred this flank steak to the other sponsors named on fliers for the event, including the local Southern Christian Leadership Council, the Black United Front and UMKC's Minority Student Affairs Office.

So the Strip started making phone calls -- first to JoAnn Smith, KU's dean of continuing education. To this cutlet's surprise, Smith flat-out denied that her department had anything to do with inviting Baraka. "In fact, we're asking that our name be removed from the event's materials," she said.

Huh? The Strip next tried the SCLC, the organization best known for putting on an annual Dr. Martin Luther King Jr. celebration. Most of its board members are African-American, but not all of them. A few, in fact, are Jewish, and at least one of them, Judy Hellman, was peeved. She told the Strip that the SCLC's chairman, the Reverend Nelson Thompson, decided to help sponsor Baraka's talk without consulting the rest of the board.

Thompson himself admits as much -- but he says he agreed to help pay for Baraka's appearance after Otto told him the decision to invite Baraka had already been made. Thompson says now -- having read samples that Hellman provided of Baraka's more controversial verses -- that the full SCLC board would not have endorsed the program.

The Strip then approached Ajamu Webster, president of the Black United Front. He, too, says his organization agreed to help pay for Baraka's visit after Otto told him the decision to bring the poet had already been made.

The same went for Catherine Kironde, who works for UMKC's Minority Student Affairs Office. She says that when Otto approached her, she didn't know about Baraka's controversial past. "I don't know if anyone really thought of the Jewish angle. I know I didn't," she tells the Strip.

So who actually made the decision to bring Baraka?

Two of Otto's colleagues at Kansas City's public library, Jami Schaefer and Margaret Clark, suggested that Otto had met with KU's Hall Center for the Humanities. But the center's director, Victor Bailey, denies it.

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