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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Bruce Springsteen and the E Street Band

Live in Barcelona (Columbia)

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By John Kreicbergs

Published on May 27, 2004

When Bruce Springsteen released The Rising, he maintained that it was never meant to be an album about 9/11. Rather, it addressed the aftermath. And in all of music's attempts to capture the raw emotion and paranoid uncertainty of that period, his is the only one to stick. Even Toby Keith's flag-waving, shit-kicking threat never went beyond novelty. In the end, it was Springsteen's everyman whose mourning, anger and confusion imbued The Rising with heartfelt honesty. That's exactly why it isn't surprising to watch Springsteen's DVD release from his Rising tour and understand that those feelings translate to any language. Spurred by a crowd that pushes Springsteen nearly as hard as he pushes himself, the Boss and the band pace through this two-disc set with ferocious energy. The old-school E Street hits take center stage, including a hard-driving "Dancing in the Dark," but cuts from The Rising also resonate. From the title song opener to the hymnlike "My City in Ruins" and all the emotional territory traveled in between, Springsteen and his E Streeters are in complete control, even as they remind us how little control we really have these days.