Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Eugene Chadbourne with the Malachy Papers

And the Wind Cries Malachy (Independent)

Share

  • rss

By Robert Bishop

Published on July 01, 2004

How come Usher's "U Got It Bad" is at best tolerable, but when Eugene Chadbourne and the Malachy Papers stretch the song out to nearly 8 minutes, it's astounding? Is it the novelty? The kitsch? Maybe at first. But Chadbourne and the Papers invest as much in Usher as they do in Thelonious Monk's "Epistrophy" on And the Wind Cries Malachy. This live recording culls material from three shows in May 2002, when Chadbourne and the Papers joined forces for improvisational takes on the Usher and Monk covers, two original collaborations and a medley of John Lee Hooker's "I Had a Dream," Captain Beefheart's "Buggy Boogie Woogie" and Roger Miller's "The Last Word in Lonesome Is Me." The result is interesting and unpredictable. Experimental electronics and marimba-laced jazz yield to spare honks before giving way to the mean groove of the full band leading either into the musicians' collective chaos or to individual retreat. But why is "U Got It Bad" here in the first place? "I only know it because I have teenagers at home," Chadbourne explains in the song's introduction. Hey, whatever gets you through the night, sir.