Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Ian Moore

Sunday, December 5, at the Grand Emporium.

Share

  • rss

By Mike Warren

Published on December 02, 2004

Ian Moore has been slowing the tempo since his early "Texas blues whiz kid" days curved out of his rearview mirror in the late '90s. He's gone through an acoustic stage and a lamented "Eddie Vedder jams with Chris Whitley in the Big Easy" phase, periods that helped him discover his soulful inner falsetto. Since then, he's moved to Seattle and begun writing long, atmospheric pop songs, the kind that would make Nick Drake, Roger Waters or John Lennon proud. His latest, Luminaria (you know, those little paper bags with candles), gives him a chance to release all the melodic '60s flourishes -- huge harmonies, horn fanfares, songs about Antarctic explorers -- that a bluesman simply cannot pursue.