Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Joel McIver and Thomas Gabriel Fischer

Justice for All: The Truth About Metallica (Omnibus Press)

Share

  • rss

By Geoff Harkness

Published on January 06, 2005

The documentary Some Kind of Monster captures the tribulations of Metallica as band members record St. Anger and hire a shrink to keep from killing one another. Monster has been applauded for its unprecedented look into Metallica, much to the chagrin of Joel McIver, who had zero access to the band for his book Justice for All: The Truth About Metallica. But McIver did speak with just about everyone else, including former band members Jason Newsted and Dave Mustaine, and the unauthorized route allows the writer to offer a more thorough critique. He is clearly a fan of the band's early efforts, heaping praise on Kill 'Em All and scorn on St. Anger, a they-sold-out attitude concurrent with many long-time Metallica devotees. McIver's outspoken stance makes for good reading, even as he skips the usual bawdy tales of cocaine and groupies (probably because he had none to tell) and dedicates himself to debating musical merits. But the lack of access leaves meandering filler, such as a meaningless debate about the greatest thrash-metal album of all time. When it stays on point, McIver's book satisfies. But those hoping to dissect Metallica's psychosocial dynamics may be better off waiting for the Monster DVD.