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A short list of Kansas City's most popular hot spots.
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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

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    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

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  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

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  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

7 Seconds

Wednesday, March 23, at the Bottleneck.

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By Andrew Miller

Published on March 17, 2005

The last bastion of optimism in an angry scene, 7 Seconds remains largely upbeat after two decades. The Reno, Nevada-based band's early albums combined hardcore's blizzard velocity with earnest vocals to create simple rants ("Racism Sucks") about bullies, substance abuse and sexism. Like the similarly strident Minor Threat, which eventually became Fugazi, 7 Seconds progressed into a postpunk project, though it kept the same name and started sucking. Things bottomed out with 1993's grunge record Out the Shizzy, but the group got its ill-fated ambitions out of its system and returned to its roots. True to his "Young 'til I Die" pledge, singer Kevin Seconds still sounds like a politely rebellious teen. However, the band's new Take It Back, Take It On, Take It Over, which stuffs 17 tracks into 28 minutes, hints at budding cynicism: Where is the danger in Hot Topic city ... You say I'm bitter, I'm just jealous/I just resent my lack of success. Kevin, dude, stay posi!