Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Nine Black Alps

Wednesday, April 12, at the Grand Emporium.

Share

  • rss

By Annie Zaleski

Published on April 06, 2006

The UK Britpop zeitgeist seemed completely at odds with America's music scene during the 1990s. But this decade's UK resurgence (the Arctic Monkeys' spastic suburban ennui and the Subways' bratty, buzz-saw punk) more often than not aligns with the emo angst and punk pretensions of modern American upstarts — save for Nine Black Alps, who could easily find success in either decade. The Manchester quartet's debut, Everything Is, takes the lurching speedballs perfected by crunchy guitar bands (the Pixies, Nirvana) and splices them with Sonic Youth-style noise splinters and bombastic, big-dream hooks that a little band called Oasis took to Beatles-level heights over a decade ago. Viva Britannia!