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Geppetto & Son Handmade charm trumps corporate gloss when the Coterie Theatre teams with Disney itself for a world-premiere musical based on Pinocchio. New songs by Wicked and Godspell composer Stephen Schwartz certainly help, but it's the spirited performances Jessalyn Kincaid as a self-absorbed Blue Fairy, Charles Fugate as Geppetto, and a host of smiling kids and theater pros and homemade Coterie craftsmanship that keep this puppet dancing. Geppetto's not as thoughtful as most Coterie shows, and the lessons crammed in by writer David Stern are only Hollywood-deep, but director Jeff Church has again inspired the best from the Coterie's artistic staff: imaginative puppets and shadow play, costumes both grand and goofy, sound effects that delight and spook. Through Aug. 6, at the Coterie Theatre, Crown Center, 2450 Grand, 816-474-6552. Reviewed in our July 6 issue.
Menopause the Musical If you think you might enjoy this wildly popular mash-up of oldies revue, health-class filmstrip and View-style gabfest, then you probably will. It's a mostly painless evening, packed with songs you hear at weddings, highlighted by some big laughs thanks to strong comic actresses rather than Jeanie Linders' thin script. As the women belt boomer pop standards rewritten as menopause-specific parodies, the crowd whoops and hollers. Adapting "The Lion Sleeps Tonight" into a story about consigning husbands to couches is cute, especially when the leads jam along with the crack American Heartland band on wooden spoons and pepper mills. But mangling "Chain of Fools" into "Change of Life" or "I Got You, Babe" into "I'm No Babe, Mom" (a meter-be-damned complaint about how even the mothers of 50-year-olds still meddle) reveals some desperation to fill out the 90 minutes. Through Oct. 29 at American Heartland Theatre, 2450 Grand, Crown Center, 816-842-9999. Reviewed in our July 13 issue.
Table Manners Too bad dinner theater is a dirty word. Clever farceur Alan Ayckbourn's comedy about very British siblings and spouses on holiday together, encountering all the romantic misunderstandings you would expect, is centered on dinners: Everyone meets and eats at 8 each night (which just happens to be showtime throughout the western world; told you he was clever). This is the first in Ayckbourn's celebrated Norman Conquest trilogy, a series of shows that feature overlapping characters and occur simultaneously in real time, which means that when characters exit Table Manners, they show up in Living Together. Poke in the Eye Productions is just staging the first and funniest of the shows. Here's hoping someone in town someday dares all three. I'm looking at you, Kansas City Actors Theatre. Through July 22 at Corinth Dance Studio in the Corinth Square Shopping Center, 4047 Somerset Dr., Prairie Village, 913-383-1900.