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  • Phoenix New Times

    Pen Pal

    The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.

    By Paul Rubin

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Nina Nastasia

By JESSE ZERGER NATHAN

Published on September 14, 2006

 Nina Nastasia By itself, Nina Nastasia's voice is enough to perk ears. She's been using it adeptly since the mid-'90s, combining the beauty of her rich, folk-infused music with wise lyrics that glide from one deep thought to another. And like a good singer-songwriter, Nastasia turns any topic into poetry: She sings about graveyards and peeping toms and offers witty antidotes to a range of subjects, including disaster, depression and forgetfulness. Sounding faintly reminiscent of Sam Phillips and Iron and Wine, Nastasia presents complex musicianship with clean melodies that murmur with a fresh intensity. But live, it's her voice that sucks the air right out of the room and stops listeners cold.



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