Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Waylon Jennings

Nashville Rebel (RCA/Sony Legacy)

Share

  • rss

By Andrew Miller

Published on September 21, 2006

Crossover success usually requires certain concessions, such as shortening songs or collaborating with big-shot producers. Waylon Jennings enhanced his country standing and found a rock audience by doing exactly the opposite. The first disc of this chronological boxed set covers 1958-69, when Jennings worked with Nashville Sound overseer Chet Atkins. The 1970-74 disc contains his mission statement, "Lonesome On'ry and Mean," which Jennings produced himself, with his touring band, the Waylords, backing him in the studio. On the 1974-80 disc, several songs feel abridged, as if Jennings knew they'd continue indefinitely if he didn't fade them midjam. Disc four (1980-95) suffers from a keyboard glaze that recalls late-era Stevie Wonder, but it includes two stellar collaborations: one with Hank Williams Jr. and another with the Highwaymen posse — Johnny Cash, Willie Nelson and Kris Kristofferson.

Jennings' material might not have been as categorically solid under his own watch, but confrontational, personal numbers such as "Are You Sure Hank Done It This Way" couldn't have emerged from the factory system. This Nashville rebel preferred occasional mistakes to oppressive, interchangeable competence.