Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Calexico

Saturday, September 30, at the Bottleneck.

Share

  • rss

By Roy Kasten

Published on September 28, 2006

Since 1996, Calexico frontman Joey Burns and drummer John Convertino have been pushing steadily out from the margins of the lo-fi art-rock world of Giant Sand and the Friends of Dean Martin (their former groups, and two that shaped their Southwestern tones and otherworldly eclecticism). The band's newest album, Garden Ruin, surges like a flash flood over the pair's mariachi and post-folk bridge-building. They haven't abandoned the desert; they've just made it bloom with new colors. With plentiful steel-string acoustics, straight back-beat drumming, recognizable rock structures, hints of political protest, an absence of instrumentals, the illustrations of comic artist James Jean, and an almost Love-ly orchestration of horns and strings, the band has reset its range and reconfigured its audience.