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  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Calexico

Saturday, September 30, at the Bottleneck.

By Roy Kasten

Published on September 28, 2006

Since 1996, Calexico frontman Joey Burns and drummer John Convertino have been pushing steadily out from the margins of the lo-fi art-rock world of Giant Sand and the Friends of Dean Martin (their former groups, and two that shaped their Southwestern tones and otherworldly eclecticism). The band's newest album, Garden Ruin, surges like a flash flood over the pair's mariachi and post-folk bridge-building. They haven't abandoned the desert; they've just made it bloom with new colors. With plentiful steel-string acoustics, straight back-beat drumming, recognizable rock structures, hints of political protest, an absence of instrumentals, the illustrations of comic artist James Jean, and an almost Love-ly orchestration of horns and strings, the band has reset its range and reconfigured its audience.



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