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  • Phoenix New Times

    Pen Pal

    The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.

    By Paul Rubin

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Nomeansno

Wednesday, October 4, at the Record Bar.

By Eric Davidson

Published on September 28, 2006

American fans may have left this early-'80s Canadian postpunk originator for dead, but the band's cult in Europe hasn't waned, and it remains hallowed up north. Nomeansmo still tours annually in Europe, but it's been nearly six years since the band released a record. So maybe it's the nonexistent expectations, but its 14th album, All Roads Lead to Ausfahrt, is largely a triumph. There's more of that stuttering, stomping artcore, slowing and twirling on a dime, with acrobatic drumming that never gets too math-y and songs that are oddly majestic ("In Her Eyes"), dopey funny ("I See a Mansion in the Sky") and seriously ticked off ("Ashes," "Wake Up"). All Roads is a timely reminder that Nomeansno was equal in intensity and creation to its recently re-examined peers in the Minutemen or Mission of Burma.


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