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  • Riverfront Times

    Prized Fighter

    Boxing in St. Louis will never die--not as long as Kenny Loehr has a kid in the ring.

    By Kristen Hinman

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Dosh

By April Fleming

Published on February 07, 2007 at 10:12am

Recent acts such as Ratatat and Dosh are much-needed reminders that danceable electronic music is no longer relegated to heart-rattling club beats, mind-numbing trance or ass-shaking hip-hop. Unlike the music of many instrumental knob twisters, beat experimenter Martin Dosh's lush loops and careful orchestration reveal an experienced, calculating musician confident in his own sound. On 2006's The Lost Take, Dosh's efforts are supported by a cast of friends with whom he frequently plays and collaborates, including Andrew Bird and fellow Twin Citian Erik Applewick of Tapes 'n Tapes.



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