Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

1408

Share

  • rss

By Robert Wilonsky

Published on June 20, 2007 at 12:37pm

The screenwriters of this Stephen King adaptation are collectively responsible for Reign of Fire, Problem Child 3 and Agent Cody Banks, and director Mikael Håfström's English-language debut was the dreadful Derailed. Yet 1480 is a surprisingly effective movie, terrifying in its tension and heartbreaking in its release. John Cusack plays a former novelist named Mike Enslin, who, after the death of his daughter and a separation from his wife, abandons all interest in the living to focus on the dead, writing travel guides to haunted locales. In Room 1408 of the Dolphin Hotel in Manhattan, in which dozens of corpses have piled up since the 1920s, he finds his first truly "evil fucking room." The horror wouldn't work without Cusack; we're never sure if Mike's losing his mind or saving his soul. More than likely, it's both.