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National Features >
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Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
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The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
LAMB OF GOD
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By — ANDREW MILLER
Published on December 05, 2007 at 2:00am
With last year’s Sacrament, Lamb of God continued its decade-long evolution into a more nuanced metal monster. Having ditched the shock-value moniker Burn the Priest in 2000, the Virginia band has found subtler ways to incorporate religious iconography, such as the communion wafers scattered on Sacrament’s cover. After several albums filled with pointed anti-Bush diatribes, Sacrament targets ambiguous enemies. (For example, “Redneck” sparked message-board debates about whether the titular “self-righteous laughingstock” was Bush or, because of the track’s uncharacteristically Pantera-like sound, Phil Anselmo.) Such strides toward sophistication aside, Lamb of God’s shows remain as brutal as ever, all swirling pits, savage technical riffs and terrifyingly enunciated threats, courtesy of singer Randy Blythe.
Fri., Dec. 7, 2007
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