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National Features

  • Cleveland Scene
    Dangerous Liaisons

    Another by-product of the privatization of the Iraq War: sexual assault.

    By Lisa Rab
  • Seattle Weekly
    The DUI King

    Meet Bob Castle, a drunk who always seems to find a way to drive.

    By Rick Anderson
  • City Pages
    "How Can This Stuff Be Legal?"

    Take a toke of Salvia Divinorum and you'll wonder, too.

    By Matt Snyders
  • OC Weekly
    Teacher's Pests

    Targeted by Bill O'Reilly, James Corbett isn't the first educator to face the wrath of OC conservatives.

    By Gustavo Arellano and Daffodil J. Altan

Firing off a deluge of immigrant-hardship vignettes with the thudding consistency of a tennis-ball machine, Under the Same Moon presents a genre somewhat at odds with itself: the gritty fable. Last year's The Italian, another story of a small boy's picaresque search for his mother, struck a balance between the awful and the wondrous by surrounding the hero with a whiff of Grimm grotesque in which it's hard to tell the truly weird from the general strangeness of being a child. Director Patricia Riggen's tone is too gauzy to synch the perspectives of 9-year-old Mexican Carlitos (Adrían Alonso), who crosses the border alone when his grandmother dies, and his mother, Rosario (Kate del Castillo), a Los Angeles maid who hasn't been home in four years. Many of the scenarios don't translate the immediacy of Carlitos' jeopardy or Rosario's heartache (the border trauma, the Bel Air bitches, the ICE raids), recalling instead distractingly similar moments in films such as Babel and Fast Food Nation. Alonso, an expressive, ingrati­ating actor, develops a textbook rapport with Enrique (Eugenio Derbez), a grizzled illegal whom he drafts as an escort, but the duo's travels never gain traction of their own, and the film feels overdetermined, despite its sweetness.

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