Most Popular

Recent Articles

Recent Articles by Andrew Miller

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

My Chemical Romance

By Andrew Miller

Published on April 10, 2008

Modern alternative acts want to be classic-rock staples when they grow up. In 2006, My Chemical Romance accelerated its musical maturation, shifting from gloomier than usual pop-punk fare to the glorious concept album The Black Parade. From an intro that echoes Pink Floyd's "In the Flesh" to the single "Welcome to the Black Parade," which pivots, like similar epics "Bohemian Rhapsody" and "Come Sail Away," on the phrase "carry on," The Black Parade plays like a panoramic survey of bombastic, symphonic '70s rock. The band recently stopped performing Parade in its entirety live, but some of the record's odder selections (a glam-metal rant about teenagers, a breakup ballad that seems to parody Coldplay's "Yellow," a boom-chicka country-cabaret number featuring Liza Minnelli) still make the set. 

My Chemical Romance: “I Don’t Love You”


The Pitch Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com