Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Thief of smooches

Share

  • rss

By Andrew Miller

Published on April 30, 2008 at 2:00am

In 1934, the Motion Picture Producers and Distributors Association (precursor to the Motion Picture Association of America) started enforcing censorship guidelines proposed by former U.S. Postmaster General Will H. Hays. Trouble in Paradise, released in 1932, is exactly the type of film Hays aimed to suppress. Its hero, Gaston Monescu, is a master thief. The Hays Code maintained that criminals should never be shown in a favorable light. Gaston plots with his pickpocket girlfriend, Lily, to burgle perfume magnate Mariette Colet. But he becomes smitten with his intended target ("I came here to rob you, but unfortunately I fell in love with you") after the two bond with ribald banter. In the movie's most quoted line, Colet calls marriage a "beautiful mistake," the kind of quip banned by Hays' "sanctity of marriage" clause. Director Ernst Lubitsch revels in the film's amusing amorality, as if aware that the early era of cinematic freedom is about to come to a close. The Kansas City, Kansas, Public Library (625 Minnesota Ave­nue, 913-551-3280) hosts a free screening of Trouble in Paradise at 6 p.m.
Thu., May 1, 6 p.m., 2008