National Features

  • Broward-Palm Beach New Times
    Last Step to Redemption

    Drug counselor Richard Entrekin swam a little too easily in a sea of sharks.

    By Amy Guthrie
  • Village Voice
    The Cro-Mag Diaries

    Remembering the brutal life and times of John "Bloodclot" Joseph, New York hardcore icon.

    By Rob Harvilla
  • Miami New Times
    Class Warfare

    At a Florida school, kids threaten teachers, whose bosses look the other way.

    By Francisco Alvarado
  • SF Weekly
    Party Crashers

    If you think Ralph Nader won't screw the Democrats again, you're not paying attention.

    By John Geluardi

Pity the fool who broke up with Kathleen Edwards and inspired the lyric You say you love me in your memory/You've gotta be fucking kidding me. The lanky Canadian calls bullshit better than any of her singer-songwriter peers, drawing out each discriminating word with an I-mean-it-buddy conviction. But there's also a lightness to Edwards' three albums of articulate folk and rootsy rock, as in lines such as You're the Great One, I'm Marty McSorley (a reference to the oft-penalized hockey enforcer). Other constants are the sublime guitar evocations of sideman Colin Cripps and a lush instrumental palette that recalls Whiskeytown. Both forces are in full bloom on Edwards' latest LP, Asking for Flowers. Kathleen Edwards discusses her new album.:

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