Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
Exposing a construction-site scam only a San Francisco cop could love.
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
First-time writer-director Helen Hunt stars as April Epner, a schoolteacher desperate to have a child before she turns 40. (Hunt herself turns 45 this year, but never mind that.) Adapted by Hunt and two other writers from Elinor Lipman's novel, it's a confident debut. Hunt directs like she acts — straightforward and without humor, even when she's meant to be funny. Which is probably why this plays like such an odd hybrid: a sitcom pilot rendered as Lifetime melodrama and starring the likes of Matthew Broderick (as her man-child husband), Colin Firth (as the single-dad love interest) and Bette Midler (as the famous mother who gave Hunt's character up for adoption when she was a year old). Broderick — broad, doughy and dopey — is not at all believable as a supposedly irresistible lover. But Firth is terrific, and Midler is, well, Midler — you keep expecting her to break into song. Even if you didn't know who directed the movie going in, you'd know coming out; Hunt gives herself more close-ups than Barbra Streisand, no small feat. In short, it's the kind of film that only a mother, which is to say my mother, would love.