Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Efterklang

Share

  • rss

By Richard Gintowt

Published on May 27, 2008 at 2:41pm

“Caravan” by Efterklang, fromParades (Rumraket/The Leaf Label):

On 2004's Tripper, the Danish band Efterklang crafted IDM chamber pop that featured evocative orchestrations and don't-wake-the-baby whisper-singing.

Inevitable comparisons to Sigur Rós followed, but Efterklang deftly ducked them with 2007's Parades — a trumped-up work of art-collective pop that aimed for the same sort of cinematic pomp as Broken Social Scene and Sufjan Stevens.

The eight-piece group is embarking on its first U.S. excursion — the aptly named Danish Dynamite Tour — with fellow Danes Slaraffenland, an experimental post-rock quintet that signed to Thrill Jockey for its all-over-the-map 2007 release, Private Cinema.