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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Riverfront Times
Babe 'n' Arms
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
By Nicholas Phillips
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
Roman de Gare
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By ELLA TAYLOR
Published on June 17, 2008 at 2:41pm
Claude Lelouch's A Man and a Woman, one of the silliest love songs in the canon of French fluff, gets a beguiling makeover 42 years on in this new soufflé. Roman de Gare, which loosely translates as "airport novel" and was written and directed under the pseudonym Hervé Picard, is stuffed with fakers. At the center is an unlikely couple: a celebrity-mad provincial neurotic (the appealing Audrey Dana) who's either a hairdresser or a hooker, and a pug-faced stranger (Delicatessen star Dominique Pinon) who might be a serial killer. This goofy tale of self-emancipation, a love story made by a mature man wise to the possibilities of the improbable, is also a thriller with an unexpectedly dark edge.
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