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National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Not for the Bed
Published on July 10, 2008
Most of us associate quilts with grandmothers cheerfully piecing together blankets for newborn grandkids or stay-at-home moms looking for an outlet for their pent-up creativity. But quilting's history — and its future — is about much more than what's produced in the cul-de-sac.Tonight between 6 and 9, the Belger Arts Center (2100 Walnut) opens African-American Quilts From the Collection of Maude Wahlman and Interpretation: Silver Screen Quilts by Sun Smith-Foret. The exhibits open a window into very different approaches to the art form.Wahlman, a global arts professor at the University of Missouri-Kansas City, has been collecting and writing about early African-American textiles for decades. Her collection includes pieces that document African-American lives, religious beliefs and social relationships. Smith-Foret is an artist and psychotherapist fascinated by the imagery of Hollywood. Her work carries names such as "Biggie and Tupac" and "Taxi Driver/Raging Bull.
Wednesdays-Fridays, 10 a.m.-4 p.m.; Saturdays, 12-4 p.m. Starts: July 11. Continues through Oct. 3, 2008