Most Popular

National Features >

  • Riverfront Times

    Prized Fighter

    Boxing in St. Louis will never die--not as long as Kenny Loehr has a kid in the ring.

    By Kristen Hinman

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

The Black Crowes

By Matt Erickson

Published on July 15, 2008 at 11:59am

Often, an artist's answer to ennui is to risk commercial viability by striving to break new, often uncomfortable ground.

For fans, this can be painful to watch, and for Black Crowes fans, it's downright hard to handle. In the roughshod 18-year career of this Southern-soul band, the bro-centric Crowes have soared (sparking an unexpected early-'90s R&B and blues revival) but also blown the bong smoke of amateur, red-eyed poetry and schizo, love-the-world-hate-yourself meltdowns right back in our faces.

Judging by the group's latest, the back-to-basics Warpaint, this Crowes tour will contain more sexy pouting and boozy, rock-god revelry than the pretentious I-found-the-answers-to-life-high-on-the-tour-bus antics that have hindered this combo's recent years.

Rock on? Maybe. Party on? Hell, yeah.

”She Talks to Angels” by the Black Crowes



The Pitch Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com