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  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Flee the Seen

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By Andrew Miller

Published on August 20, 2008 at 2:00am

Hardcore breakdowns usually share songs with clear, confident female vocals about as often as supermodels show up at Rush concerts. And yet, Flee the Seen, which alternates its crushing slow-down segments with sickle-sharp melodies, combines these elements in combustible fashion. Kim Anderson's strong, smoky singing soars over jagged riffs, dense drumbeats and her own staggered bass lines. Guitarist R.L. Brooks uses his primal scream as an accent instrument, punctuating the percussion during intense outbursts. On The Sound of Sirens, the group treads dark waters, detailing destroyed relationships with cryptic warnings. Let truth be found in this underground comes the refrain from "Escape Plan," which sounds like a music-as-savior testimonial until the rest of the lyrics establish the phrase as an urgent plea for crime-scene evidence. At once heavier and catchier than sonically similar acts such as Pretty Girls Make Graves and Tsunami Bomb, Flee the Scene adds serious heft to its hooks and carries the weight well. Through October 8th, Wednesday nights at the KC Live! open-air convert venue in the Power & Light District feature free concerts by ass-kicking local acts. All shows are free, and the gates open at 5 p.m. You must be 21 to enter.
Wed., Aug. 27, 7 p.m., 2008