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    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

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    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

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    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

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    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

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By Brent Shepherd

Published on January 22, 2009 at 2:04am

Often overlooked in the chasm between his 1989 Sundance breakout, Sex, Lies, and Videotape, and his first star-driven vehicle, 1998's Out of Sight, Steven Soderbergh's 1993 coming-of-age drama, King of the Hill, features young Jesse Bradford going it alone in Depression-era St. Louis. It's a film-carrying performance reminiscent of Christian Bale's in Empire of the Sun (though on a scale more Soderberghian than Spielbergian). Though Bradford's career arc hasn't matched Bale's — whose could? — his work here merits mention alongside better-known child actors in better-known movies. Exhibiting as part of the "Watching Missouri" film series, King screens this afternoon at 1:30 in the Durwood Film Vault at the Kansas City, Missouri, Central Library (14 West 10th Street; 816-701-3400). The series concludes next Saturday with the 1996 Jazz Age drama Kansas City, by KC-born Robert Altman. Admission is free. For more information, see kclibrary.org.
Saturdays, 1:30 p.m. Starts: Jan. 10. Continues through Jan. 31, 2009