Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Rusty Scott

Yonder Goes the Light
(self-released)

Share

  • rss

By Richard Gintowt

Published on April 28, 2009 at 2:29pm

Every once in a while, a guy with an acoustic guitar comes along whose guy-with-an-acoustic-guitar thing makes you hate the genre a little less. Langhorne Slim and William Elliott Whitmore come to mind as two recent examples, and now we can add Lawrence's Rusty Scott to that list. Scott's debut full-length, Yonder Goes the Light, is right on the money with its unscripted blend of back-porch folk and Americana. Scott's nasally voice is more Rufus Wainwright than Bob Dylan, and it can really hum when it reaches for those high notes. The album's best numbers, "Ghost" and "As She Goes," are immediately memorable and would make any songwriter worth his or her salt mutter, Damn, why didn't I think of that? Engineered by Chris Crisci of Old Canes and the Appleseed Cast, Yonder is a warm, airy-sounding affair that affirms the power of well-written folk songs.>