Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Bringing (Retro) Sexy Back

Share

  • rss

By Brent Shepherd

Published on May 06, 2009 at 2:01am

The Hays Code, first imposed upon Hollywood in 1934, unwittingly created a smarter breed of filmmaker. Under its restrictive thumb, writers and directors such as Ben Hecht, Billy Wilder and Alfred Hitchcock found their way around the system by weaving the salacious and the scandalous into their films as thinly veiled subtext, like bootleggers peddling bathtub gin in speakeasies. Thursdays in May, however, the Kansas City, Kansas, Public Library (625 Minnesota Avenue, 913-551-3280) harks back to the almost-anything-goes years before the code, when filmmakers more freely explored the dark underbelly of human nature. The Pre-Code Hollywood Film Series kicks off tonight at 6, with Barbara Stanwyck and Clark Gable foiling a murder plot in 1931's Night Nurse (which sounds just like a pulp novel you'd find in John Waters' personal collection, doesn't it?). Later offerings feature Edward G. Robinson, Douglas Fairbanks Jr., Randolph Scott and Cary Grant. For more information, see kckpl.lib.ks.us.
Thu., May 7, 6 p.m., 2009