Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Bent Left

USS Awesome
(self-released)

Share

  • rss

By Nick Spacek

Published on October 13, 2009 at 12:51pm

Upon first listening to Bent Left's new EP, USS Awesome, it's difficult to shake the perception that the band's gruffly delivered vocals and rough, power-pop instrumentation owe a lot to Twin Cities-area punks such as Dillinger Four, Off With Their Heads, and Banner Pilot. But Bent Left sticks out from that crowd by politicizing its pop punk. Even though the song titles are reminiscent of Fall Out Boy's tendency to work in sentences (for example, "Nothing Says Success Like a Trendy Coke Habit"), the songs themselves are about more than love and girls. The lyrics can be vague; we're not sure what the antecedent of it is in I'm too concerned to care that it sure won't be free, and it sure won't be fair, but it's trade in "Application for Federal Assistance." But at the very least, USS Awesome is an amazingly well-recorded album. The production manages to avoid the issues that beset many local punk bands, falling prey neither to the overly polished, first-time-in-the-studio sound nor the awful recorded-in-a-basement tone to which so many others succumb.