Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Kansas City's most popular hot spots.
user content provided by: LikeMe.net & The Pitch

National Features >

  • Miami New Times

    Fidel Castro Needs a Hug

    It's not easy sharing a name with Miami's most hated despot.

    By Gus Garcia-Roberts

  • City Pages

    A Teabuggers' Odyssey

    A Minnesota boy's rise to power in America's right wing.

    By Andy Mannix

  • Riverfront Times

    Moon Lady

    Loved by everyone from Stereolab to Tony Kushner, the odd and enchanting Lucia Pamela was an outsider to remember.

    By Aimee Levitt

  • SF Weekly

    The Straights of San Francisco

    In their quest for hetero love, women in the Bay Area turn the tables on male pick-up artists.

    By Ashley Harrell

Cletus Got Shot

Share

  • rss

By Chris Parker

Published on December 15, 2009 at 1:31pm

Good Charlotte plays too many chords/And Toby Keith couldn't cry in his beer, complains self-described ex-punk and honky-tonk picker Adam Cox of Cletus Got Shot. Though they wore that cowboy hat, they're more punk-rock than me, he continues, heralding Willie, Hank and Cash on a song titled "Punk Rock." Like many of its similar-aged peers, Cletus Got Shot has bypassed rock for country, favoring a string-band approach to explore a kitchen sink of influences. The band is reminiscent of the Avett Brothers, but it's not just the sweet harmonies, unusual subject matter or boisterous twang that wins the day for Cletus. It's also the high-spirited swagger that cops punk's anything-goes attitude. The Fayetteville, Arkansas, quartet is supporting its self-titled debut, which bubbles with energy and smarts, ranging from the late-night backwoods swing of "Desperation Blues" to the rocket-fueled bluegrass of "Love 'em and Leave 'em."