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Critic's Choice
By Chris Parker
It has been at least two decades since Nine Inch Nails and
Jane's Addiction burst on the scene, inflaming imaginations with
their decadent, hard-edged sound. The flame still...
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Cafe
By Charles Ferruzza
Last week, I watched a bulldozer smooth over the surface of the
northwest corner of 51st Street and Main. A red-brick building that had
stood there was obliterated after...
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Film
By Nick Pinkerton
Both warnings and advertisements, the Terminator films are
technophobic teases, selling tickets by promising the decade's model of
killing machine: the classic V8 1984...
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Film
By Jason Harper
From 1971 to 1974, Midwestern youth, mind-altering rock, and
THC-enhanced blues and country found a home inside KC's Cowtown
Ballroom at 31st Street and Gillham. Some of...
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Film
By Michelle Orange
Wide-eyed kids attended by their pouchy-eyed parents will have few
complaints about Night at the Museum: Battle of the Smithsonian;
all you people in between and beyond could...
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Film
By SCOTT FOUNDAS
Before setting pen to paper, Sin Nombre writer-director Cary
Fukunaga purportedly rode the rails in the company of real illegal
immigrants traveling from Mexico to the United...
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Stage
By Alan Scherstuhl
Metropolitan Ensemble Theatre's courageous production of Terrence
McNally's Kiss of the Spider Woman (music by John Kander
and lyrics by Fred Ebbs) isn't quite what I would...
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Art
By Dana Self
Janet Simpson, director of the Kansas City Artists Coalition, has
been supporting Kansas City artists for 20 years with humility and
diligence, often far from the public's...
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