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Comment Archives: stories: Arts: Stage

Re: “Capitalism gets a look in the satiric Threepenny Opera

damn so lame i missed this ahhh!!!

Posted by jimbodyce on 01/28/2013 at 11:02 PM

Re: “The Kansas City Ballet: Carmina Burana

great review, great show!

Posted by ballet fan on 10/30/2012 at 9:04 AM

Re: “The Kansas City Ballet: Carmina Burana

The sentence to which you refer is a metaphor.

1 like, 0 dislikes
Posted by Deborah on 10/29/2012 at 10:11 AM

Re: “The Kansas City Ballet: Carmina Burana

very stupid revue first part was not at all like ice skating and it is ignorant, insensitive and unknowledgable to say so

0 likes, 1 dislike
Posted by virginia ostergren on 10/24/2012 at 7:46 PM

Re: “Master Class at Spinning Tree Theatre

Congrats to Spinning Tree on the great review!

2 likes, 0 dislikes
Posted by Kris Siriwangchai on 10/17/2012 at 8:49 AM

Re: “The Unicorn starts its season with a real Motherf**ker

Sounds depressing.

1 like, 0 dislikes
Posted by Wink Dicklemeyer on 09/23/2012 at 1:56 AM

Re: “At Fringe, bigger is better – until it isn't

This is a poor review - as a matter of fact, it does not review the shows at all. It's main complaint seems to rest on that there is too many shows to see! Boo-hoo! Make a choice and go!

2 likes, 0 dislikes
Posted by Kc PhotoEye on 08/02/2012 at 1:08 PM

Re: “MTH's Sweeney Todd takes just a little off the sides

I've seen Sweeney Todd three times. The original production on Broadway, the Broadway revivial, and the show at Music Theatre Heritage. Found the latter to be a magical night of theatre filled with innovation and breath-taking performances. I was transported. I didn't miss a lyric and that is what it's all about. Had no idea there was talent like this in Kansas City. I urge all theatre lovers to go.

1 like, 0 dislikes
Posted by JoAnnTeach on 04/28/2012 at 11:26 AM

Re: “MTH's Sweeney Todd takes just a little off the sides

Although the talent of the cast is superb the suspense and excitement are lost in this adaptation.

2 likes, 1 dislike
Posted by theatre lover on 04/28/2012 at 10:43 AM

Re: “Now at the Coterie Theatre:
The Wrestling Season

In order to be a review I think you have to use an adjective. This is a plot summary... Or preview at best. I mean, how was it, man? Personally I thought it was a good show but reading this would not move me to take action and see it.

7 likes, 0 dislikes
Posted by Actor on 02/15/2012 at 5:46 PM

Re: “Beer for Breakfast is fun but not very filling

At the endof the first act I thought the author hates women. The one woman there is presented as an angry bitch. But things turned completely around in the secomd act when you discover what is really going on. The show was funny, well paced, Very satisfying and didn't deserve the criticism you sprayed on it. I hope it makes it to the Big Apple. At the very least it deserves long runs in community theaters all over this country. Ted

1 like, 0 dislikes
Posted by ted on 02/07/2012 at 7:53 AM

Re: “Metropolitan Ensemble Theatre tries too hard, and people get hurt

There is nothing wrong with this review—"small townness" would be to not acknowledge the difficulties in a show or company, and that's something missing too often here. It's a small, tight-knit theater community, and that's mostly nice, but it's okay to ask a company to step up and do better.

Posted by kamikazecook on 02/05/2012 at 2:12 PM

Re: “Lily Tomlin and her reinvented alter egos perform at the Kauffman Center

Damn!! She looks like she hasnt aged a bit since i first saw her on Laugh In during the 70s!!

1 like, 0 dislikes
Posted by c on 11/16/2011 at 3:57 PM

Re: “At the Living Room, Apathy
meets a bitter end

If your balls are cyclical enough to give a terribly written and pretty obviously biased critique without hiding behind the coward's shield of anonymity, I will personally give you a $20 refund.

0 likes, 1 dislike
Posted by seanhogge on 09/14/2011 at 2:47 PM

Re: “At the Living Room, Apathy
meets a bitter end

I thought this was the biggest waste of time I have seen in a long time. The space lived up to its name in that I felt like I was sitting in a living room watching college friends get high and "write a play."

It said nothing about humanity or 9/11. Further, it said nothing about anything. The two supporting characters were pointless to the plot, sans the incredibly immature "debates" about religion and drug use. For someone who supports the legalization of Marijuana I found the playwrights viewpoints, that were transparently inserted, to be quite lame and elementary. Not to mention the 20 minute "bit" of trying to find a working lighter which was so tedious I wanted to stab my eyes out in some kind of Oedipus Rex cliche that would have been far more interesting than this play ever would hope to be.

The whole "Greasy balls" bit, the suicide note NEVER revealed, etc. merely enhanced the perception in which this play apparently takes pride in: the "cool theatre" thing to do is put whatever crap you can choke out quickly and invite your friends to (there were certainly no advances in audience development when I was there) because they'll laugh stroke each others egos and claim to be a successful venture.

The terrorists won with this show. I was squandered out of my $20 (the outrageous ticket price given the production value) and I left feeling angry about the state of American culture. Too bad the Taliban couldn't censor out this piece of crap.

1 like, 0 dislikes
Posted by blah blah on 09/14/2011 at 9:36 AM

Re: “Macbeth glows in the park

Hi Guest (if that is really your name),

Rufus Burns as a servant didn't bother me. There are a lot of very minor characters in this play and he wasn't the only very talented actor relegated to a line or two. I like color-blind casting, and that doesn't mean it can be only in lead roles. Burns was excellent this year in bigger roles in Ruined at the Unicorn and King Stag at UMKC, but I'll bet he's happy to have this job. That said, if you want to see some of the city's best actors, I highly recommend The Wiz at the Coterie (which I'll be reviewing next week). It's an all-multi-cultural cast and it is fabulous. You certainly don't have to have kids to go.

And yes, the boy's accent bothered me, but I have a policy, both professional and personal, of ignoring children in productions unless they are featured players and absolutely must be mentioned. It's the most merciful policy for all.

Posted by Grace Suh on 06/30/2011 at 8:32 AM

Re: “Macbeth glows in the park

I have a couple observations I wanted to share with the general public. Overall, I felt the performance was acceptable. The characters of Malcom and The Porter stood out to me as breathing the most life and specificity into their characters. Generally, I think Macbeth (the story) came through; although, I had a little trouble hearing the meaning come out of the text. I was taught early on as a student of Shakespeare that if the audience does not understand the language of the text, the fault lies with the actors. The actors convey the meaning through their actions, inflections, and emotions. This is not easy. Because Elizabethan English isn't the everyday lingo, actors have an enormous burden of bridging the gap between our two distant cultures. Having a hard time understanding the play was especially upsetting to me because I know the story and was familiar with the play. There were a few things particularly disturbing, which altogether pulled my suspension of disbelief. The only person of color I saw in the entire cast crossed the stage with a tray of drinks (a servant). This was early in the play, and I felt this was a careless directing choice. I do not think anything is inherently offensive for a person of color to carry drinks, but when it's on the stage, and it's the only thing the director could think to give this poor company member, it stands out as an insensitive signifier. I remember thinking to myself, "Really? Did that just happen?" Racial direction aside, another element that pulled me out of the story was the random English accent for the actor that played the son of the Thane of Fife (Macduff's Son). No one else in the entire play had any kind of an English or Scottish dialect. I laughed. I will tally that one up to sloppy attention to detail by the director, or maybe the young man that played him decided he would go rogue. After all, good Shakespeare has to be done with a proper English accent...The last criticism I have for the play was for the fight choreography. The fights looked like stage combat. They shouldn't ever look like pulled hits or careful blows. Unless of course the director wants something more surreal and stylized. But this wasn't the case for this production of Macbeth. They were going for realism (especially as evidenced by the very effective freshly severed head of the usurper, which looked stunningly like the actor playing Macbeth). Good fight choreography looks like real fighting. Enough said there.
Please don't get me wrong my intention was not to belittle or mock the efforts of this fine company. I applaud their efforts. There were actually several times when I really enjoyed a particular scene. However, I am just really picky and want so badly to be pulled into a good story and lose myself for a good hour and a half. I can't help it if a careless directing choice or an awkward fight pulls me back to reality. I want to be taken away....take me there!

Posted by Guest on 06/29/2011 at 4:39 PM

Re: “The Unicorn's Ruined uncovers the rubble of war

One further source of day-by-day narration of the Civil War events can be found in the NYT blog, Disunion

Posted by ritarbutler on 04/27/2011 at 2:24 AM

Re: “KC Rep has its way with Cabaret

Kein Problem.

Posted by Erdbeermund2 on 03/31/2011 at 12:35 PM

Re: “KC Rep has its way with Cabaret

Great review with which I completely agree. Sally was, unfortunately, the weakest link. But it was still a great show.

Posted by Anne on 03/30/2011 at 2:25 PM

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