We don't always understand -- or even like -- the high-concept installations at Grand Arts, which in the past year have included Aidas Bareikis' garish squadron of debris; Nadine Robinson's Revelations-inspired light sculptures; Neal Rock's large-scale, silicone abstractions; and a boat. But despite the varied nature of the works, the identifiable aesthetic of curator Stacy Switzer is always present: The shows are ambitious, exaggerated and bold. So even if we don't know what's going on, we suspect she does. And for some reason, that makes it all OK.
