Machinal's stark minimalism and
Major Barbara's oversized library and arms factory roof pooh-poohed The Missouri Repertory Theatre's past habit for fastidious realism. Russell Metheny's
Machinal set smoothly danced into various configurations of the heroine's drab world; it had the troubled beauty of a harsh factory. Russell Parkman's sets for
Major Barbara showcased the family's arrogance in the first act, the slums outside their cocoon in the second and the lovely skies above both sites in the third.
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