Unlike those last two movies, though, it isn't insufferable, mainly because instead of pretty-boy gypsy Johnny Depp and sensitive girly-man Kevin Spacey, we get Robert Redford and Morgan Freeman as hard-livin' libertarian cowboys.
Redford has spent a decade or two pretending he's still a young man onscreen, but here he finally gives it up, sinking his teeth into full-on cranky-curmudgeon mode, muttering profanities under his breath (which seems to be the only reason for the film's R rating). Freeman still periodically slips into his now-standard shtick of being the stern-voiced conscience of all those around him. But he has problems of his own, mostly in the form of injuries inflicted by a bear that disfigured half his face and rendered him unable to walk.
The single parent is played by you're gonna laugh Jennifer Lopez. Wait, there's more: The small town in Wyoming to which she flees is the place where she grew up, and yet she's not just the only Latina there but also the only person who has somehow developed a hilariously fake Southern accent (in about 50 percent of her scenes). "Do ya think ah'm a shitty mother?" she wonders aloud at one point. Nope, J. Lo just a shitty actress. Actually, the role is not otherwise beyond her capabilities; it's reminiscent of her more successful battered-woman portrayal in Enough. It's fair to assume that Hallström, being a non-native English speaker, is not attuned to the differences in American accents Michael Caine in Hallström's Cider House Rules pours a barrel of fuel on that fire but one of Lopez's co-stars should have intervened.
Lopez plays Jean Gilkyson, widow of Griffin Gilkyson, who was the son of Einar (Redford). Ten years after surviving the car crash that killed her husband, Jean is escaping her abusive boyfriend, Gary (Dreamcatcher's Damian Lewis), and runs with her daughter, Griff (Becca Gardner), to Einar's house, where the young girl can meet her grandfather for the first time. Problem is that Grandpa hates Mom because he blames her for killing his son.
The unfinished life of the title refers to Einar's dead son, but it could also refer to Redford, who really runs the show here. Perhaps realizing that rare performances in snoozers like The Horse Whisperer and The Last Castle weren't doing him any favors, he seems to have entered a new phase in his career, with a wealth of old-man roles now open to him. He was very good in last year's The Clearing; he's better in this.