Every once in a while, the critic must get it as good as he gives.

The Star-Mangled Anthem 

Every once in a while, the critic must get it as good as he gives.

It was only 81 words.

It would all be over in 90 seconds. Nothing to sweat. Nothing to lose.

Pssssshhhhhhhh.

I was screwed.

Altruistic auspices had lured me to Independence Center, but it was sheer terror that kept me frozen on the small food-court stage, strangling a microphone as I peered out at blank faces.

"How's everyone doing in the food court tonight?" I offered nervously.

Nothing.

"I want you all to know that I listened to 'Eye of the Tiger' before coming here, so I'm pumped," I continued.

Tough crowd.

"This next one is a little tune I wrote ..."

Dignity, please meet your party at baggage carousel 3.

I deserved it. I had voluntarily thrown myself on this pyre of humiliation. Nobody forced me to belt out the national anthem at an open audition for the chance to sing "The Star-Spangled Banner" before a Kansas City Outlaws hockey game.

But if I was going to spend my days arbitrarily dissecting the performances of other people, I figured the least I could do was throw myself into the emotional wringer of public scrutiny.

I was horrified. I hadn't expected much of a turnout, but I arrived at the mall to find a KMXV 93.3 van, a camera crew and some 30 deathly serious people waiting to sing.

I don't really like people. Or at least doing anything in front of a lot of them -- such as singing the national anthem. And I don't sing. Not in a plane. Not on a train.

My rendition would surely be the vocal equivalent of burning an American flag and urinating on the ashes. Roseanne would grab her crotch and scoff. William Hung would sneer, He blows ... he blows.

Oooohhhhhhhh, say can you see, I moaned in a low, quivering voice.

It was probably too late to stage my own death. Nobody would buy it.

What so proudly we hailed, at the twilight's last gleaming.

I paused. I blanked. I groped for the next line and came up empty. I hope you're happy now, Francis Scott Key. Smarmy songwriting bastard. Then it hit me.

Whose broad stripes and bright stars ...

I was on autopilot now. At least no mallrats were throwing cups of Orange Julius. Yet.

... through the perilous fight, o'er the ramparts we watched were so gallantly streaming ...

I had a newfound respect for the other singers. And I, in turn, surely had their sympathy.

O'er the land of the FREEEEEE-EEEEEEE, I bellowed for the finale, and the home of the ... Outlaws!

Yes, I was an unapologetic whore. But you gotta earn points where you can. And, as I walked off the stage, I saw the judges were laughing.

With me, of course.

  • Every once in a while, the critic must get it as good as he gives.

Comments (0)

Subscribe to this thread:

Add a comment

Latest in Prairie Dogg

  • Down His Hole

    The Prairie Dogg goes into permanent hibernation.
    • Mar 24, 2005
  • Pluck of the Irish

    The Elders make Emerald Isle impersonators green with envy at an Uptown hoolie.
    • Mar 17, 2005
  • From the Ashes

    The Esoteric struggles to use its music to triumph over tragedy.
    • Mar 10, 2005
  • More »

Most Popular Stories

Facebook Activity

All contents ©2013 Kansas City Pitch LLC
All rights reserved. No part of this service may be reproduced in any form without the express written permission of Kansas City Pitch LLC,
except that an individual may download and/or forward articles via email to a reasonable number of recipients for personal, non-commercial purposes.

All contents © 2012 SouthComm, Inc. 210 12th Ave S. Ste. 100, Nashville, TN 37203. (615) 244-7989.
All rights reserved. No part of this service may be reproduced in any form without the express written permission of SouthComm, Inc.
except that an individual may download and/or forward articles via email to a reasonable number of recipients for personal, non-commercial purposes.
Website powered by Foundation