Monday, March 22, 2010

Concert Review: Manchester Orchestra at the Beaumont

Posted by Elke Mermis on Mon, Mar 22, 2010 at 9:50 AM

click to enlarge Manchester Orchestra
  • Manchester Orchestra
By CHANCE DIBBEN

The music of Manchester Orchestra mimics its band members: muscle-bound, heavy, and overwrought. In the world steeped in radio-friendly alterna-rawk, the Athens, Georgia quartet proves themselves viable heirs to former heavy-hitting princes like Staind and Godsmack. 

​This young band, fronted by lead singer and songwriter Andy Hull, is content with rocking-the-fuck-out; and during their performance at a filled Beaumont Club on Friday night that's exactly what they did.

That's neither praise nor demerit. If you can do one thing, do it well.

Manchester Orchestra lacked diversity, though, creating a gauzy blur of thick pummeling riffs and pounded snares. This kind of consistency can give an album a diamond-cut quality, with firm sonic boundaries outlining the integral whole; that's probably why Manchester Orchestra's second album, Mean Everything to Nothing, was released to such wide praise last year. Translated to the stage, however, the experience becomes overwhelming and rocking-the-fuck-out fatigue sets in.

That's where slow-tempo ballads like "Colly Strings" come in to mitigate the fraught anxiety created by so much contourless rockers in the set. One of the band's better moments, "Colly Strings" is still an epic and grating piledriver, but it is buoyed by a first half featuring Andy Hull's unabashedly sentimental lyrics, delivered earnestly against light plucking and some abstract drone.

Manchester Orchestra
  • Manchester Orchestra

Their set included a few songs in this mode, and it was during these moments it became clear just what a sentimental motherfucker Andy Hull really is. Hitting surprisingly high registers during rising emotional sweeps, Hull's lyrics were delivered through a voice with range resembling Modest Mouse's Isaac Brock on the faster, harder-hitting numbers, and Conor Oberst, when he was slowing things down.

Manchester Orchestra
  • Manchester Orchestra

Manchester Orchestra funneled all their might into performing, making the task of creating stacked, tectonic riffs seem as if it were the same as sculpting mountains using dynamite. Maybe it is. Perhaps it was the image of band members digging deeply and forcibly over their instruments that gave their overwrought, emo-infused epics credibility. Every member of Manchester Orchestra was technically skilled in creating powerful and soaring noise.

Manchester Orchestra
  • Manchester Orchestra

The crowd seemed to like 'em. And when they stepped away from the sweaty work of rocking-the-fuck-out, the band members were likable too; their youthful banter and mild joking a stark contrast to the seriousness of their powerhouse performance. However, the ultimate aftertaste of seeing Manchester Orchestra is one of excessive blandness, despite the awesome energy and enviable prowess of the band members.

Manchester Orchestra
  • Manchester Orchestra

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"muscle-bound", "Staind and Godsmack", "excessive blandness"

I'm just confused. Were you at the same show I was?

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Posted by Sean on 03/22/2010 at 2:26 PM

Is this the emo band that covered a Garth Brooks song? NO THANKS BRAH

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Posted by Abe on 03/22/2010 at 10:49 AM
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