Wednesday, July 14, 2010

Tom Petty and Drive-By Truckers: Southern hospitality at the Sprint Center

Posted by David Hudnall on Wed, Jul 14, 2010 at 9:41 AM

click to enlarge Tom Petty
  • Tom Petty

​Take it as anecdotal evidence, of course, but the only non-white people I saw at last night's nearly sold-out Tom Petty show at the Sprint Center were taking tickets, waving people past scanners, or operating cash registers. Speaking as a white person, it was hard not to feel a little bit racist just by virtue of being in the building. I had to keep reminding myself that it's a free country, etc., and nobody is preventing people of color from attending rock shows at the Sprint Center. And then it struck me that my discomfort was fitting in a way, because I was there for an evening of Southern rock, and the South is a place where race relations are famously complex and strained.  


The evening's openers, Drive-By Truckers, explore this kind of territory expertly. Like William Faulkner and Flannery O'Connor before them, the Truckers write character sketches and story-songs that examine the social, economic, political, and racial nuances of life in the Southern U.S. But that makes them sound boring and academic, when in reality they are a thrilling group of musicians that, live, have over and over again proven themselves capable of delivering the kinds of joyous musical moments we all so desperately seek at rock shows. 
Tom Petty
  • Tom Petty
I didn't experience any of those moments last night -- that's a tall order for any arena opening act -- but the band's uptempo set of guitar-heavy rock surely won over some new fans. I arrived late, and as I dumped my keys and phone into a basket for the metal detector, the dull thuds coming from inside the arena gradually assembled into the melody of "Carl Perkins' Cadillac," a song about Sam Phillips and Sun Records. It's a wise, rollicking, modern classic: I got friends in Nashville, or at least they're folks I know / Nashville's where you go / To see if what they said is so, sang Mike Cooley from stage left, his lanky figure cutting it cool next to the grinning, junkyard-dog guise of de facto frontman Patterson Hood. 
Tom Petty
  • Tom Petty
Clad mostly in denim and button-ups, the Truckers spent the remainder of their allotted hour blazing through songs spread wide across their back catalog: "A Ghost to Most," "Zip City," "Sink Hole." It's great that Petty took them out on tour, but they're better seen as a headliner, when they can play as long as they want and drink as much whiskey as they want. They'll be back around these parts soon, no doubt. 
Tom Petty
  • Tom Petty
After a 25-minute intermission, the lights dimmed, the crowd roared, and Petty and his Heartbreakers launched into the opening notes of "Listen to Her Heart." Six screens above the stage projected images of the band, the light show went into effect, and you could feel the kick drum in your chest. These guys have been doing this for a while now, and they know what the people want. They followed it up with "You Don't Know How It Feels," which sent a handful of bleached-blonde forty-something women in front of me out into the aisle, arms raised, asses shaking. Major enthusiasm for the Let's roll another joint line, natch. The song morphed into a slow jam at the end, and on this and a few other solos, Petty would sporadically lead the band by animatedly waving his arms out to the sides in an umpire-like "safe" motion, to either signal a new direction or the end of the tune. 

The crowd was feeling it. After "I Won't Back Down," Petty stood alone under a spotlight at the center of the stage, his Rickenbacker dangling, and soaked in an extended, thunderous roar of grateful applause. After "Breakdown" and "Honey Bee" (yes!), Petty announced that he was dying to play some songs from the new album, Mojo, and the band ran through numbers like "Running Man's Bible," "First Flash of Freedom," and "I Should Have Known It." It's a bluesy album that especially showcases guitarist and "co-captain" Mike Campbell, and it has traces of Zeppelin and some of the sounds Dylan has been creating over the past decade. It sent some to the restrooms, but a good chunk of fans around me knew the words and seemed psyched about the new stuff. 
tompetty12.jpg
The songs-from-the-new-album portion of the evening ended, and the hits rolled on: "Don't Come Around Here No More," a peaceful, strummy version of "Learning to Fly." (On "Learning to Fly" and a few other songs, former bassist Howie Epstein's vocal harmonies -- he died in 2003 -- were noticeably absent, as though the band had decided to retire those parts in honor of him. Or maybe the new guy just isn't as good. I like the first theory better.) A raucous "Refugee" closed the set. 
tompetty8.jpg
The encore was short and sweet. "Running Down a Dream," then -- what else? -- "American Girl." As the song dissolved into an extended finale of chord strums, drum crashes, and deafening applause, Petty splayed his arms out to the sides, as he had before. Except this time, he was facing the crowd, and it looked like he was flying. 

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Comments (18)

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Ben,
What song was playing when you were smoking and got kicked out? If it was later in the show, I'd like to get to know you better.
That was some righteous skunk!!
I'm sure Petty appreciated your efforts.

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Posted by Need Weed on July 16, 2010 at 11:19 AM

I got kicked out for smoking weed. Got a free ticket though so wasn't too mad, also wasn't too mad cuz I was high as balls.

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Posted by ben on July 15, 2010 at 1:25 PM

I think Thurston is great at what he does (which is just about everything) but the backing vocals on "Don't Come Around Here No More" and "Free Fall'in" could have used a little more heat which Howie provided.

I don't know what's so incendiary about trying to elicit a nuanced conversation about the fact that there were a few black people letting in a sea of white people into the Sprint Center. Did that happen and is that just a little bit interesting? Yes. Does it matter and should anyone feel guilty about it? No.

But no, let's just call each other racists and reverse racists on and on and on.

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Posted by bryan on July 15, 2010 at 11:01 AM

Good review. I was also in attendance. Such a good show. Positive atmosphere.

Anonymous beat me to the Ron Blair thing.

While I agree that Howie was better at backup, I really dug the job Scott Thurston, Blair and Benmont did. If you have ever heard Scott sing Roy Orbison's part on The Traveling Wilbury's song 'Handle With Care', you would know this man has some skills. Nothing was lacking in this department last night IMHO.

It is sad that not many African American people are into Rock and Roll these days (so it seems). After all, they invented the damn thing!

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Posted by Free Ballin' on July 15, 2010 at 1:52 AM

I believe the first paragraph was written to elicit inflamatory and divisive responses. This response intends to placate the reviewer, Mr. Hudnall and cover points not yet written by previous respondents:

*Non-white folks weren't there because Petty & the Truckers are racisist.
*The NAACP is in town and these guys must be exposed.
*Petty's drummer (who is black) must obviously be an uncle Tom.
*Non-white folks hate Tom Petty & the Truckers because they're southerners and probably in the KKK.
*Dave you forgot to mention that most of the scalpers who are non-white were also not in attendence.
*People who attend these concerts are guilty of racism. If they claim not to be racists they are guilty by association. Or they are members of the media simply reporting on important news like concert demographics.
*There is possibly a secret kabal of Petty loyalists who simply won't sell Petty tickets to Non-white folks and his multitudes of Non-white fans.
*Prior to the release of the song "Don't Come around here no more" Non-white folks were a prominent demographic at Petty concerts. However, said song is has obvious subliminal undertones - or was that "Born to Rebel".
*Petty used to be huge on the non-white radio stations until aforementioned songs were released.

Dave, the statement "Speaking as a white person, it was hard not to feel a little bit racist just by virtue of being in the building." is puzzling to me but I hope it got the resposes you were looking for.

Yes race relations have a long strained history in the south as they do from LA to KC to Chicago to Detroit to NYC (geographically speaking, northern or western cities). Next time the the Strokes or White Stripes or Van Halen are in town please update us on the crowd demo and tie it back to the Watts or Detroit riots or the zoot suit riots etc etc.

I suggest you avoid southern rock concerts and country shows to avoid feeling like a racist.

Other than that, I enjoyed your review.

Scott - great pictures

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Posted by Geezus on July 14, 2010 at 10:17 PM

that snl honeybee performance was totally badass.

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Posted by big bird on July 14, 2010 at 9:35 PM

When Wildflowers came out I was in high school, and TP&HB did Saturday Night Live. You Don't Know How it Feels and Honey Bee were the two songs. I VHS'd it and watched Honey Bee until the tape broke.

And look at me now, man. LOOK AT ME NOW KEEPIN IT REAL & LOWDOWN

http://www.youtube.com/watch?v...

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Posted by Benmont_Tench_Fan_2296 on July 14, 2010 at 3:49 PM

I would like to personally thank the party in FLR1 row 10 seats 1-2, and the family in FLR1 row 11 seats 1-3. You guys are all class acts and I really appreciated your company and behaviour last night.

I would like to tell the foul-mouthed diminutive bimbo in FLR1 row 11 seat 5 that you are too short and fat to sit on the floor at the Sprint center. You have unrealistic expectations of the mental capacity of Sprint center security staff or what they can do for you. I sincerely hope I never cross paths with you again, and I am so disappointed that I did not get the chance to tell you personally what a miserable little bitch you really are. C'mon...you were in seat 5 and exited across the entire section to the opposite side after the show?....

I would like to tell the lady in FLR1 row 10 seat 5 that you should purchase two seats for such events in the future. Had last night's show been an airline flight, you would have been left on the tarmac for only purchasing a single seat. I'm also concerned for your health in this heat.

I would like to tell the jarhead wannabe Sprint security staffers which roamed FLR1 outer aisle to take some remedial courses in physics, geometry, and basic human relations. You should also invest in some mouthwash or breathmints if you intend to invade others' personal space declaring "don't put your hands on me". You're nothing but of bunch of mush-brain pussies.

And I agree: the first paragraph of this review is pointless race-baiting. If I wanted to feel racially benevolent, I would have walked four blocks west and purchased one of the savvy crack whores in town for the NAACP conference.

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Posted by Need Weed on July 14, 2010 at 3:35 PM

On the Bass Player/Harmony Vocal stuff: Howie Epstien did pass away and was replaced by Ron Blair - The Original HB bass player. However, the high harmony backing vocal stuff has been covered by Scott Thurston since Howie died.

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Posted by Anonymous on July 14, 2010 at 2:33 PM

Hi asdf,

To answer your question, I don't feel racist at salad bars, although I am unsure why anybody would feel racist at a salad bar. And in response to your earlier post, I have no problem with "white folks digging Petty." I am a white person who digs Tom Petty.

I was sent to review a show. When you review a show, you mention the crowd. The thing that struck me most about the crowd was that it was almost 100 percent comprised of white people. Since it is currently the year 2010, I noted that in the review.

Leading the review with that observation was maybe a bit misleading, because the music and the bands are the real story. But it provided a smooth transition into introducing the Drive By Truckers, and so that's how I wrote it.

Noted re: Ron Blair, thank you.

Whitey: eh, fuck off.

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Posted by David Hudnall on July 14, 2010 at 2:09 PM

That has to be the dumbest 1st paragraph in the history of the written word. Also, you didn't go to see a 'southern rock' show, you went to a Rock show, moron. Southern rock was a genre that died several decades ago.

People pay you to be this clueless?

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Posted by whitey on July 14, 2010 at 1:34 PM

The "new guy" on bass is actually Ron Blair, the ORIGINAL Heartbreakers' bassist who returned to the band after Howie Epstein's death. But yes, Howie was a better singer.

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Posted by Anonymous on July 14, 2010 at 10:19 AM

He should put his jist in the piece. The fact that it feels racist to be in a place where there's lots of white people is completely absurd. How does he feel at salad bars?

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Posted by asdf on July 14, 2010 at 10:14 AM

"They can afford arena shows is what his jist is."

Ok, but what does this have to do with Tom Petty? Save that crap for your blog that no one reads!

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Posted by Anonymous on July 14, 2010 at 10:06 AM

WTF does the race of the audience have to do with the show? David Hudnall, you are a moron for starting your article this way.

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Posted by Anonymous on July 14, 2010 at 10:03 AM

I don't think it was that off actually. Everytime I see party pics of Sprint rock shows (via the Star) the crowd looks mostly white. They can afford arena shows is what his jist is.

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Posted by Bewlay on July 14, 2010 at 10:00 AM

Good call, Abe. I'm no teabagger but it is silly to act like there is something wrong in white people enjoying particular genres of music. There's nothing wrong with black folks turning up to see Frankie Beverly, and there's nothing wrong with white folks digging Petty.

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Posted by asdf on July 14, 2010 at 9:59 AM

What the fuck is the point of the first paragraph. Who fucking cares about the color of the crowd and employees? Get a new perspective

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Posted by Abe on July 14, 2010 at 9:38 AM
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